MOTHER CHINA 1

CultureRenewalInitiative
HEALING THE PLANET
To begin with yourself

THE NINE DING
Emperor Yü the Great conquered nine provinces and linked each to a Ding or Vessel of Abundance. To link the land ("Lady of the Land") with the Womb symbol is very archaic and can also be found in the West e.g. the Grail Legend. Ever since the "Nine Ding" is connected to Sovereignty (of the Son of Heaven, the Emperor)

Popular arrangement of the "Nine Ding"

Mother China 1
(Chinese Mother Religion)

There are many different Creation Myths in China. The most prominent one is the story about the Black Cosmic Egg. "In the beginning" there was only a Dark Void. In this Egg the "Son" (foetus) Pan Gu waited for his birth. Once born he found himself in between Heaven and Earth. With all might he managed to separate them. Once the latter was stabilized Pan Gu died.	CREATION MYTH Proof of the fact that this insight is still very much alive shows this statue of "Maitreya in the Egg"	It isn't difficult to realize that this Creation Myth goes to the core of things. The Black Cosmic Egg is the Dark Cosmic Womb giving birth to the Eternal Light (embodied by "Pan Gu", Her "Son" and first emanation). The latter in its turn "created "Heaven and Earth" (the second emanation). This reminds one very much of the legend of the Greek God Hercules. The latter by the way also "a Son of the Mother". After the world has materialized and thus being a stable foundation for life "Pan Gu" leaves it on its own and retires. The Divine becoming invisible ("dies") to common people.
THE WESTERN PARADISE	This Creation Myth is very much similar to ultimate spiritual insight. It is supported by science too. The Origin of both "God" and the universe is the Cosmic Womb. Hence early Chinese culture had a "feminine" world view. It corresponds with insights of Tibetan Bön and the Veda's (Upanishads), where the Origin is also defined as a Cosmic Egg. Ultimately, it could all go back to Mesopotamia	Xiwangmu with Nüwa (Yin) and Fuxi (Yang)
Kunlun, the Western Paradise is a dream land for Taoists, Bön people and Tibetans alike. It is the homeland of Xiwangmu, the Queen Mother of the West. She must be very old, for "Paradise" is only used for a time before written culture. That's why the Bönpo say, that their tradition is universal and without name. Xiwangmu almost certainly comes from the West herself: from Anatolia.	QUEEN MOTHER OF THE WEST XIWANGMU	It should not be forgotten that for tens of thousands of years prehistoric cultures, ranging from Western Europe to the Pacific, covering the whole of Central Asia had been dominated by MotherGoddess worship. Countless terracotta statues and figurines makes this a proven fact. To assume a MotherGoddess somewhere or links between them in later times e.g. in the Bronze period has to be seen in that context.
Xiwangmu and Her birds	Thus e.g. no need to prove that Xiwangmu is "related" to other MotherGoddesses. Of course, She is. She has been embedded in a Mother-centered culture for millennia. Which particular connections there have been is open to discussion. Most likely She is linked to the Great Mother of Catal Hüyok and as a consequence to the Great Mother Kybele (See later)	Black faced Xiwangmu (Who doesn't immediately think of the Black Madonna's)
Matriarchal culture was destroyed after the Shang Dynasty. It means that very little has survived the centuries. That's why legends and myths necessarily play an important role. Nevertheless, what I could find with regard to archeological evidence I will display here. China has had many historical periods and regional hotspots. These (partly pre-historic) cultures e.g. are "Hongshan", "Liangzhu", "Majiayao", "Western Zhou", and "Xixia" to name only a few	Goddess mask	(PRE)HISTORIC CHINA Hongshan (4700-2900 BCE)
Primordial Dragon	The Hongshan culture contains both elements of the MotherGoddess as well as Her "Son/Lover", the Dragon	Objects from Hongshan culture
	Left Primordial Dragon
Second from left a Phoenix, second from right a Goddess	Sensational are the Dragons who are draped in a circle. It symbolizes early stages of development in which the Dragon is still part of the Cosmic Womb. Later he emancipated, often still connected to the womb symbol (see later) in order to eventually get shapes of his own	Goddess and two dragons
	Animal mask
	Liangzhu (3400-2250)
Womb/Tao	These images known to everyone symbolize the Cosmic Womb. Only later the emphasis on the Tao (Wholeness) was made. Recent interpretations once again define the Tao as Cosmic Womb. By the way Lao Tze already talks about the "Mother of all" and the "Female Spirit of the Valley", which is the same
	This mask of Primordial Mother ("Taotie") is very famous. It means: "Glorious Face of the Original Great Mother". It is almost identical with masks from Aztek Mexico!
	Majiayao (3200-2000 BCE)
Primordial Mother displaying Her vulva, symbolizing the Cosmic Womb	"The art of pottery is a female invention" R.Briffault "At the centre of the feminine elementary character in which the woman contains and protects, nourishes and gives birth, stands the vessel, which is both attribute and symbol of feminine nature". E.Neumann "The Great Mother" "The clay vessel, and later the vessel in general is....a symbol of the female deity (Hoernes)	Ditto
The Womb as Origin of the Cosmos can be found in many other cultures ("Baubo", Hindu, Canaanite, Buddhist, "Sheela-Na-Gig" and others)	Ditto
	Shang (1600-1046 BCE)
IN THE BEGINNING....MEN KNEW THEIR MOTHERS ONLY.... Pai Hu T'ung (Han Dynasty)	Ding
With Beast (Dragon?) ornament	"The Mother Pot is really a fundamental conception in all religions, and is almost worldwide in its distribution. The pot's identity with the Great Mother is deeply rooted in ancient belief through the greater part of the world" E.Neumann "The Great Mother" In Southern India a group of seven Goddesses is worshipped in the shape of seven pots" (Similarly in Northern Borneo and the Philippines) R. Briffault	Reminds me of famous Celtic Vessel in the museum of Salzburg. Indeed, both have their roots in the same Womb "archetype". (Cauldron of death and rebirth)

Bird Mother		Son Pig
The "Ding" is an ancient (Shang Dynasty) ceremonial vessel. It served as the Cauldron of Abundance. First of all the emperor wrote his decrees on them, emphasizing that the latter were a gift from "Heaven". Furthermore the Ding symbolized dominion over the land. The correspondence with the Grail legend is striking. Both the Vessel and the land are relating to the Eternal Feminine. We can assume that the early (Shang) emperors were aware of the fact that they ruled "in the name of the Mother"
The Son/Beast with Mother Spirals on his head	Having said this many "secrets" reveal themselves. The Taotie (see below) is the ancient "Face of the Mother", while the animal heads - pigs, dragons, lions, birds - so often depicted on the Dings embody the "Beasts of the Lady", in fact Her Beasts/Sons, comparable to the Western Green Beasts/Men
	Western Zhou (1046-771 BCE)
	Once again: the Womb-Vessel with Her Son/Beast (Pig)	Even more characteristic are three-legged Dings. Some, once again are strikingly similar to those of Pre-Columbian (South/Meso-American) art
	The Pig as the Beast of the Mother
	Taotie: the Great Mother (on the base) or Kirtimukha (Kala) of ancient China
Precursor of the "Lady and Her Beasts (two Dragons). See also later		National Museum of China (Beijing)

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COSMIC MOTHER
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The Chinese Origin of the Maya

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